Musica dolce vita nino rota biography

Rota wrote numerous concerti and other orchestral works as well as piano, chamber and choral music, much of which has been recorded and released on CD. After his death from heart failure [ 10 ] inRota's music was the subject of Hal Willner 's tribute album Amarcord Nino Rotawhich featured several jazz musicians who were relatively unknown at the time who went on to become famous.

Danny Elfman frequently cites Nino Rota as a major influence particularly on his scores for the Pee-Wee films. Both explored film and concert sides of the composer. Il cappello di paglia di Firenze and Aladino e la lampada magica are regularly staged in Europe as are many symphonic and chamber titles. Rota had one daughter, Nina Rota, from a relationship with pianist Magda Longari.

Rota died in Rome on 10 April[ 1 ] aged 67, from a coronary thrombosis. Contents move to sidebar hide. Article Talk.

Musica dolce vita nino rota biography: Born on 3 December ,

Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikiquote Wikidata item. Italian composer — MilanKingdom of Italy. Early career [ edit ].

Musica dolce vita nino rota biography: Giovanni "Nino" Rota Rinaldi was an

Film scores [ edit ]. Rota's film music style is characterised by a certain good-humoured energy verging on satire. His style was like a blend between the theatrical irony of Prokofiev and the impish wit of Francis Poulenc. He sometimes used a light jazz idiom, and could be compared with Mancini in some ways. He didn't completely ignore the emotional side of the films he scored, but avoided the overly sentimental by seemingly coming at the subject obliquely with a slight sense of the absurd.

This slightly detatched feel is a characteristic most closely associated with European cinema, especially Italian and French films. While on the surface this description might sound like a lack of caring, it has often resulted in artisically pleasing and often very poignant, true-to-life stories when compared to the inevitable over-simplified Hollywood remakes.

It can help to think of this as using the whole colour spectrum rather than a patronising black and white. The next year, Rota composed the opera Il Cappello di paglia di Firenze, which would finally be performed 20 years later.

Musica dolce vita nino rota biography: Nino Rota was an Italian composer

He left Milan in to study composition, conducting, and music history in Rome under Casella. From tohe attended the Curtis Institute in Philadelphia on a special musical scholarship. During this time, he composed Serenata for orcestra in four movements, as well as Balli, written for a small orchestra. Having completed his work in Philadelphia, Rota resumed his studies in Italy and in received an arts degree in literature from Milan University.

He then taught music theory for two years--in and at the Liceo Musicale in Taranto. A year later, he became a faculty member at the Liceo Musicale in Bari, where he taught composition and harmony. Rota maintained a close, longstanding friendship with Russian-born composer Igor Stravinsky throughout his life, yet his style was never influenced by the friendship.

Rota preferred a simplicity of style; his melodies were marked by directness and his compositions were often whimsical. He was able to work in many different musical categories without sacrificing technical quality or knowledge, and this adaptability earned him an abiding respect from his musical peers.

Musica dolce vita nino rota biography: La Dolce Vita, soundtrack

His association with Fellini began with Lo sceicco biancofollowed by I vitelloni and La strada They continued to work together for decades, and Fellini recalled:. Maria degli Angeli e dei Martiri in Rome [ 5 ]. His score for Fellini's Juliet of the Spirits included a collaboration with Eugene Walter on the song, "Go Milk the Moon" cut from the final version of the filmand they teamed again for the song "What Is a Youth?

In all, Rota wrote scores to more than films. Rota wrote numerous concerti and other orchestral works as well as piano, chamber and choral music, much of which has been recorded and released on CD. After his death from heart failure [ 6 ] inRota's music was the subject of Hal Willner 's tribute album Amarcord Nino Rotawhich featured several at the time relatively unknown but now famous jazz musicians.

Danny Elfman frequently cites Nino Rota as a major influence. Both explored film and concert sides of the composer. Federico Fellini recalls his first chance meeting with Rota:. A critic conversing with Nino Rota at the age of eleven just prior to a performance of his oratorio, The Childhood of St.